Can you save the world while damning yourself?
The Silent Season is a neo-noir corporate thriller written from the perspective of a contract killer who insists there’s a right way to murder, even as each escalation sinks him deeper into moral ambiguity, until his principles become weapons in themselves.
Constantly wanting to be more, he deals with loss, love, family, and a world that needs saving. Will these challenges make him stronger, or break him? Or both?
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“And I’ll even say ‘you’re welcome’ to your missing ‘thank you’. My unsolicited gift to you, [redacted], the success that you’re too afraid to want.”
Set against a collapsing society of corporate rot and casual oppression, it’s a story about how systems break people, how violence seduces, and how even the most hardened killer might still carry some sliver of hope, or delusion.
There are no easy answers here. Instead, expect sharp dialogue, visceral action, and unsettling violence, all wrapped in a creeping sense of philosophical unease.
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“What time is it where she is?”
“I think it’s something like seven PM.”
“You think? We need to operate on precision, [redacted]. Add this to the handbook: when receiving a question from [redacted] requesting a piece of specific information, always provide the exact figure. If you need to research it, pause the conversation and research it before answering.”
This is not a tale of redemption
The Silent Season doesn’t care what shelf it’s on. Crime noir, corporate thriller, biopunk horror, literary fiction even. It only cares about telling the best story it can. Genre conventions are nothing but tools to it.
Some will call this genre-hopping. I call it writing for an audience who dares to look beyond the framing. This book has something to say about violence, power, and complicity, and it won’t stay in a lane to say it.
Concept artwork, actual cover design pending
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